The Brighton Fringe is really kicking into gear, and I finally got round to comparing diaries, and confirmed what I had already suspected – that I’m going to end up missing at least thirty of the shows and productions that I really wanted to see over May. It’s been this way over the last five years or so – I’ve always been involved in some major production over these few months, either as director or writer, and so I’ve always ended up missing the main bulk of the fringe. So, each year I’ve promised myself that I’ll take spring off, so that I actually see some bloody stuff. Obviously, this never happens: I always find myself doing something. Sometimes, it isn’t even my fault (sometimes).
My major thing at the moment is a rewrite for Piratanical! which absolutely, under no circumstances, can surrender to any procrastination whatsoever (why do you think I’m writing this blog post?), which will be performed at the BOAT – the Brighton Open Air Theatre – in July this year, as part of the very first Starboard Festival, for local youth groups, youth theatres, and schools. It’s a mostly original piece (I’d written a half hour version almost ten years ago), and the fun thing has been altering the roles to specifically fit the young actors that I’m currently working with. Although ideally, Piratanical! has a shelf-life long after my interference.
And of course, we have Year Without Summer, which opens at the end of the month, st Sweet Waterfront in Brighton. More than half the cast have openings for other Brighton Fringe shows this week, so obviously, the vibe is one of joyfully heightened hysteria. Maybe it’s time to load up on the laudanum.